名人字画介绍，名人字画真迹

于非安（1889年3月22日—1959年7月3日），原名于奎兆，后改为于兆，原名杨树，别号非安，又名仙人、文人、仙人。现代老人，中国画家。出生于山东蓬莱，现居北京，自幼从事书画家。 1912年入师范学校，后任教于私立师范学校、华北大学私立美术系。兼任古物陈列中心中国画研究中心讲师。 1935年起专攻工笔花鸟画创作。 1949年起历任中央美术学院国立艺术研究所研究员、北京中国画研究会副会长、北京画院副院长。作品包括《玉兰黄鹂》、《丹柿图》、《牡丹鸽子》等。作者包括《非闇漫墨》、《艺兰记》、《中国画颜料研究》、《我怎样画花鸟画》。

光绪十五年（1889年），农历3月22日（公历4月21日），于非安出生在北京的一个四合院里。于氏家族是一个汉族家庭，原籍山东省蓬莱市，大约四代人移居北京。他的父亲在内政部郑白起汉军服役，母亲是满族人，但1954年他偷偷搬家到母亲在费城的家中，并在那里正式登记为满族人。

于飞安是一位致力于工笔花鸟画研究和创作的画家，在中国现代绘画史上留下了重要成就。在于飞安及其同事的努力下，继承了传统精工绘画的精髓，为现代精工绘画的发展奠定了坚实的基础，受到后来许多文人的高度赞赏和模仿。代表作品包括《玉兰黄鹂图》、《红杏山鹧图》、《和平鸽图》、《果实来禽图》。《我怎样画工笔花鸟画》、《中国画颜色的研究》、《都门养鸽记》、《都门艺菊记》、《于非闇工笔花鸟画选》等，于非安的弟子中最著名的两个是田世光和于至真，甄氏弟子众多。塔世光的弟子中最著名的是龚文珍和金鸿俊。

藏品介绍

中文名称： 雨菲深色

英文名称： 广东省造光绪元宝10文

规格：1个

类别：书画

状况：状况良好

这件作品的工艺之精湛令人赞叹，红色和粉色相互共鸣，争奇斗艳，以绿叶为背景，叶子的浓淡变化自然，污迹非常鲜艳生动，有两只杜鹃。生动地表现了春天的美丽，图文题为：久居京城，见江南，山间杜鹃花开，色彩斑斓，怀念春天。红色如锦缎般鲜艳，两人聊天的画面传达出王菲对1957年的秘密回忆。

印章十分规整，光亮。采用蜜色朱砂印刷。字体是细细的金色字体，笔画非常漂亮。于非安老师是一位擅长书画的艺术家。他不是。其作品不仅精于花鸟画，还精于金文，其功力之深堪与宋徽宗相媲美，非常适合观赏、收藏、馈赠。作为礼物。是。真正的艺术家懂得笔下的真正含义，并且经得起时间的考验。

于飞安书法作品

在书法方面，于非安继续师从古人，学习宋徽宗赵佶独特的“淡金体”书法，颇有炉火纯青的境界。 《锦文》是近代写成的。对于贡比画家来说，“薄金书法”不仅可以让他们展示笔触，而且这种薄硬的书法风格与贡比绘画相得益彰。《木笔山鹧图》年，白居易的诗被刻在光滑笔直的“薄金书”上：“紫笔含尖焰，红绛染小莲，情香香造山。” “和尚生气了。他后悔出家了。”这很有趣。他的书法古意较浓，再加上工笔花鸟。

于非安书画风格独特，强调文化与内在修养、书画融为一体，使他成为可与张大千媲美的综合性、大众化的书法大师。因此，我们看到他的作品在未来的市场上有着光明的前景。

明矾红： 是一种低温红釉，用氧化铁悬浮液呈红色。它也被称为“铁红”、“红色”、“彩虹色”。它的颜色通常是橙红色。

它创制于宋代，是明代五彩釉的先驱，由万历红和86%的铅粉制成。着色成分是氧化铁。制备方法是将硫酸亚铁（绿矾）煅烧、洗涤，加入铅粉作为助熔剂，细磨备用。当用作色釉时，制备釉浆，将其施涂到陶瓷釉料上，并使用氧化焰在约900的低温下烧制。明代嘉靖年间，故宫将铜红釉改为矾红釉。清康熙年间，矾红的颜色发生了很大的演变，变得鲜艳、绚丽、端庄。一般用于多色或二色绘画图案，不使用单色釉。嘉庆时期以后，矾花的红色就不太好，光绪时期才略有好转。陶瓷用低温釉颜料。

藏品介绍

中文名称：清同治年制铝红长寿杯

英文名称：Qing Tongzhi Year - Style Alum Red Shoko Cup

规格：1个

类别： 瓷器

状况：状况良好

同年明矾红茶碗。包体陈旧，品相完好，釉色明亮润泽，胎骨成熟，帆色红寓意大福长寿，胎釉老化痕迹明显，门杯体较大，底足氧化泛黄，杯面印有“万寿”字样，口沿开窗有篆刻款，为同济时期。整体柔和，无眩光。表面氧化，有细微孔洞，非常漂亮。

此瓷器无划伤、变色、釉面收缩、窑裂、划痕等现象，表面“祥”字十分清晰精准，无磨损、撕裂、崩裂、破损等现象。此瓷器是极其罕见的精品瓷器，俗话说，旧的和新的一样。此瓷器是收藏级瓷器，品相极为罕见。

苏葆桢（1916.5-1990.6），中国著名画家，师从徐悲鸿、张树起、傅九，出生于江苏省宿迁市卜子镇苏尾村。西南大学（原西南师范大学）教授、硕士生导师，原重庆国画院副院长。父亲是清末学者，任教于私塾，酷爱书画。

苏葆桢自幼受父亲影响，以善画闻名家乡。 1936年毕业于江苏省宿迁玻璃职业学校。

1939年考入重庆沙坪坡中央大学美术系，师从徐悲鸿、张树起、傅姣、陈之佛、吴作人等艺术大师。 1944年毕业于中央大学美术学部。学生时期就开始创作，举办个展，作品在清代美展和1941年国际美展等全国美展中获奖。他的作品已传播到亚洲、非洲、欧洲和美国的许多国家。

藏品介绍

中文名称： 苏宝珍果

英文名称： 苏宝珍葡萄

规格：1个

类别：书画

状况：状况良好

与漳浦相比较，是苏宝桢的杰作，葡萄代表多子多孙，象征多子多福。

已经是1989年了

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《果实累累》 入选四川省美协《鲜花盛开硕果累累》赞助，荣获“绘画长寿奖”。

为香港个展准备100幅作品。

葡萄用的是透视法，大家已经可以看到葡萄有立体的效果，但是这是受西方绘画的影响，而直到那时，中国画才注重立体表现的手法。皮影受西方绘画的影响。没有使用立体感的表达方法，这与西方绘画有很大区别。主体依然是中国画风格。大家都知道齐白石也喜欢画荔枝等水果，但没有“立体感”，这种中西画的结合，有独特的韵味。收藏本质上是为了物以稀为贵。一个画家还必须具有独特的艺术符号。”

美丽的葡萄钟令宇摄

艺术的恒久在于创新，绘画艺术也是如此。创新并不容易，因为它涉及“高峰和低谷”，我们不能机械地描述事物，而必须将物与心联系起来，以物表达心。傅雷老师曾谈到绘画创作： “观宇宙宝藏，耗尽天地元气，徜徉，冥想，白日做梦，度过岁月，怀里有自己的心思，造化是我的，是师父的造化，不仅是技术性的东西，但特别是对于培养性格的终生教训，我们不追求魅力，魅力自然而然，我们追求完美（11）这段话深刻地指出了一件艺术作品从表达到表达的转变，其内在的本质徐先生一生的艺术生涯都在实践创作过程的各个阶段。葡萄从小就在他的心里。“小时候，我们家门外种了一棵葡萄树，它是葡萄树。”生长的姿态和那一串串淡黄紫色的葡萄深深地刻在了我的心里。（12）葡萄以其甜而受到人们的喜爱，在江苏省北部的农村，葡萄还有多子多孙、带来更多祝福的寓意，所以苏老师非常珍惜这种水果。 画葡萄，有工笔画和自由画两种，传统的画法有两种：手笔画，水果上多画轮廓线或工笔画。去掉了骨头，使葡萄的质感缺乏透明度，显得坚硬，作品体现了藤子的写意画风，充分运用篆书、行书、草书等书法技法，追求笔力和自由表现。徐渭和张书奇画的葡萄是用葡萄叶做的，注重表现葡萄的稀疏和自由，或者表达葡萄的个人随意性，不太注重果实的数量。这是前人所忽视的一个领域，我认为应该用透明的淡紫色和深墨色的葡萄串来表现它们丰满、妖艳的美感。他秉承“前世传统”，以“师心”为极致，创作出独具特色的葡萄画，蜚声海内外。从保存下来的草图中，苏先生于1963年和1965年的夏天在盘子上画了几幅藤蔓和葡萄的草图，其中有《李继科后院葡萄笔记》。原来，它的标题是这样的。他几乎走遍了重庆郊区的每一个果园，西师大园内的许多葡萄在他的笔下都给他留下了印象，也加深了他与山脚果农李先生的友谊。缙云山。多年来，苏老师无论走到哪里，都努力仔细观察葡萄。他到北京工作，在北京郊区的葡萄园里多次写生。 1986年，苏先生两次访问日本，当他看到日本的葡萄肥美，串串漂亮时，他打算带两串回中国写生，但风俗习惯直到我到了才知道禁止携带水果入境。苏老师非常抱歉。然而海关官员发现他就是大名鼎鼎的“苏葡萄”，破例允许苏老师实现愿望。在随后的绘画生涯中，苏先生仔细研究了徐渭、吴昌硕、齐白石、王亚尘、张书琪等人所画的葡萄，摒弃了“填”葡萄的传统技法，而采用了新鲜的葡萄。我用棉材质的透明纸，用“圈写法”，简单的两笔就完成了葡萄的形状，并利用墨色的光强和中间留下的高光，画了葡萄，表达了葡萄的质感轻盈湿润，浓郁的葡萄被塑造成球状。立体的葡萄串表达了葡萄在枝头的空间感。四川人民美术出版社1989年10月出版的《四川省国画大展》一书中详细介绍了如何画葡萄叶、葡萄藤、水墨葡萄、彩葡萄。

苏老师不仅用水墨画葡萄，还用花青、曙红、胭脂、藤黄混合画紫葡萄、绿葡萄，用紫、墨、绿画不同种类的葡萄。还画了一串串彩色的葡萄。篮子、盘子或不同的花朵来代表不同情况下的葡萄。苏老师用书法操控葡萄叶和藤蔓，表现它们的生机、清新、茂盛。 20世纪70年代末以来，构图精美、色彩绚丽、圆珠圆润、高雅有档次的作品陆续面世，画面体现了时代的昂扬和生命的活力，以及棉花与生俱来的坚韧。充满了坚定不移的活力。人们为表达对他创作的葡萄画的高度评价，给他起了“副葡萄”的美誉。苏作品中出现的葡萄，与古人“悠闲地扔掉”的含义相反，是用细腻而随意的笔画出来的，让人感觉好像在看葡萄被采摘的过程。但实际上，并不是这样。案子。葡萄架。苏老师说：“曾经的荒山现在变成了果园，我们应该用画笔来歌颂人们的幸福生活和收获庄稼的喜悦，给人新鲜、幸福的感受。”这与苏教授的想法是一致的。一致的艺术视角。改革开放以来，苏先生的葡萄不仅为中国人民所熟知，还被列入亚、欧、美等各大洲的博物馆、美术馆。日本福冈市博物馆馆长在台湾文化部对外交流展览团举办的艺术展上看到苏宝桢的葡萄时，非常惊讶，他说：“要表现出葡萄的光感和质感是非常困难的。”葡萄。” “这是一幅油画，苏老师用简单的水墨，把葡萄表现得如此细腻、娴熟，真是令我佩服！”经过几十年的风风雨雨，她一生的大部分时间都花在画花鸟蔬菜上了。一直在画水果的苏先生谈到了自己作为画家的责任，四川美术界的领军人物冯健先生和吴先生这样评价苏先生：“有一个仙女”砚台上花，笔上珠。”他是艺术界的大师。” ，还有一位老师。这是对苏先生永恒而充满活力的风格的非常形象的概括。

此时，此人已逝，但他的七彩墨魂将永远留在世间。

这幅画有点像油画，但差别很大。苏宝桢最擅长画葡萄。他画的葡萄让人垂涎欲滴。在古代，我们经常看到美女吃葡萄的画面。葡萄具有非常好的特性。 “看起来不错，水果有美感。以前，有很多画葡萄的画送给新婚夫妇，希望能生儿育女，吉祥如意。最好的收藏方式就是收藏艺术家巅峰时期的杰作。”作为艺术的象征，画虾就让人想起齐白石，苏葆桢则是画葡萄的高手。

英文译名：于飞音（1889年3月22日—1959年7月3日），原名于奎昭，后改名于昭。他的正式名字是杨述，又被称为裕民人、中国画家。 1912年生于山东蓬莱，1912年入师范学校，后在私立师范学校任教，后就读于私立华北大学美术系，在古物陈列研究所工作。 1935年起专攻工笔花鸟画，1949年起任中央美术学院民间艺术研究所研究员、副所长那里。北京中国画研究会、北京画院副主任，着有《玉兰树》、《丹柿图》、《牡丹》等“非浓墨”作品鸽子画。” 《依兰集》、《中国画颜料研究》、《如何画花鸟》。

光绪十五年（1889年）农历3月22日（公历4月21日），于飞出生在北京的一个四合院里。汉族的祖籍是山东省蓬莱市，大约四代人前移居北京。父亲是内津政府白起汉军成员，母亲是满族人。 1954年，正式承认中华人民共和国。他们登记为满洲人。

于飞音是一位在中国现代绘画史上做出重要贡献的画家，致力于研究和创作细致的花鸟画，而农达克和他的同事们的努力，让传统美的精髓为人们所知。世界，这是一份礼物。其笔法得到继承，为现代工笔画的发展奠定了坚实的基础，其代表作有《黄莺》、《逃红梅山》等，为后世众多文人雅士所欣赏和模仿。”和“和平”。例子包括“鸽子”和“果树上的鸟”。他教我工笔画花鸟，国画色彩研究，洞里饲养鸽子的笔记，洞里艺术菊花的笔记，一丝不苟的细节不暗。精心挑选的花鸟画。余氏最著名的两位弟子是田世光和余志真。田世光、于志珍是美术学院教授，弟子众多。田氏弟子中最著名的是龚文珍和金鸿俊。

藏品介绍

中文名： 宇飞深紫红色

广东省造光绪元宝10 枚

规格：连衣裙

类别： 书法

外观：漂亮

这幅画无疑是艺术家巧妙地表现了红色和粉色的深浅相互共鸣，争艳求绿的陪衬，使树叶的浓淡变化自然，而且浓淡非常生动，两只小杜鹃之美，将春天的表现表现得淋漓尽致，形象生动，画题：昌都，江日，杜鹃山颇满，如锦，红艳艳，这两幅画作于1957年，非秘密创作，因为它们说出心的意义。

印章非常漂亮，印有明亮的朱红色蜂蜜。这是手金体的字体。笔非常漂亮。黑暗中，老师一边写字，一边画画。画家不仅有特殊的花鸟画功底，手金体也是一身绝技，可以与北阁相媲美，画家深厚的功底用于欣赏、收藏、送人，是不二之选，是真正艺术家的命运是经得起时间考验的。

于飞的暗黑书法

于飞还是一位古代书法大师，学习了宋徽宗赵植独特的“薄金书”书法，是近代技艺最高的“薄金书”大师。对于画家来说，“瘦而硬的身体”不仅有利于他们训练笔触，也能与他们细腻的笔触相得益彰。寺中红玉兰花赏民之光剧》:``紫笔锋利火焰，红染一朵小莲花，香香思念何解，山伏忏悔者悔恨不已” “有趣。是的，工笔花鸟的书法有更古老的意义。

余先生书画风格鲜明，注重将文化、内在修养与书画相结合，使他成为一位综合性的文画大师，可与张大千相媲美。艺术在未来的市场上将会有光明的前景。

明矾红： 一种用低温红釉和氧化铁悬浮液着色的红色。也称为“铁红”、“红色”或“彩虹”，通常呈橙红色调。

产生于宋代，各种釉色的前身，继明代万历红，86%铅粉配制，着色成分为三氧化二铁，方法为烧成，硫酸亚铁（蓝矾）后清洗，添加铅粉作为助熔剂，细磨，对于色釉来说，添加釉浆和陶瓷釉，在900左右的低温下产生氧化火焰。

ware factory to replace copper red glaze alum red glaze. To the qing kangxi, alum red has a great progress, bright color, gorgeous dignified. Generally used for multicolored, color paint decoration, no color glaze ware. After jiaqing, the alum red color are not very good, only a little improvement in guangxu. Ceramic low temperature glaze pigment. The collection is introduced Chinese name: qing tongzhi year - style alum red shouzi cup English name: Qing tongzhi year-style alum red shouzi cup Specification: one piece Category: porcelain Appearance: beautiful Tongzhi years, alum red tea bowl. Package old generation appearance in good condition, glaze jade-like stone embellish, fetal bone road, use the sail most red color implies monkey, live, live, obvious effect of the embryo glaze aging, big open. Bottom of foot oxide yellow, cup seal character life of words, mouth edge window closing the seal character of body stagnation, the whole bottom soft light, no light, surface oxidation to form small open is very beautiful. There is no threading, brown eye, shrinking glaze, kiln crack, threading, etc., and the surface of this porcelain is very clear and exquisite. What is damaged without any wear and tear is very rare fine porcelain. Su baozhen (1916.5 -- 1990.6), a famous Chinese painter, studied under xu beihong, zhang shuqi, fu baoshi, etc., from suwei village, buzi town, suqian city, jiangsu province. Professor of southwest university (former southwest normal university), master tutor, former vice President of chongqing national painting academy. His father was a scholar in the late qing dynasty. Influenced by his father from childhood, su baozhen was famous for his good painting in his hometown. He graduated from jiangsu lisuqian glass vocational school in 1936. In 1939, he was admitted to the art department of central university in shapingba, chongqing, and was tutored by masters xu beihong, zhang shuqi, fu baoshi, Chen zhifo, wu zuoren, etc. He graduated from art department of central university in 1944. When he was a student, he began to create works and held a personal art exhibition. In 1941, he held the national art exhibition, the qingguo art exhibition and the international art exhibition. His works have spread to many countries in Asia, Africa, Europe and the United States. The collection is introduced Chinese name: su baozhen fruitful harvest English name: Su baozhen grape Specification: one piece Category: calligraphy and painting Appearance: beautiful It is the peak work of su baozhen after the comparison of chapter and spectrum. Grape represents many children and symbolizes many children and many blessings. 1989 JiSi ◎ abundant fruits was collected for tian 'anmen square. ◎ "fruits" for sichuan provincial museum of literature and history collection. ◎ "flowers in full bloom and fruits" was selected by sichuan artists association to host "sichuan traditional Chinese painting exhibition" and won the "birthday star award". Prepare 100 inpidual paintings for Hong Kong exhibition. Can see grapes, adopted the perspective of the technique, already have stereo feeling, this is under the influence of western painting, Chinese painting before don't pay attention to the three-dimensional technique of expression, when this did not adopt the shadow drawing to reflect stereo feeling, and is very different from western painting, the main body of Chinese painting, painting style, as we all know litchi fruit such as qi baishi also love picture, but there is no stereo feeling, this kind of combination of Chinese and western painting unique lasting appeal, collection is pay attention to content with rare for expensive, painters also should have unique artistic symbol. Zhong lingyuxiu grape chart The eternal life of art lies in innovation, and painting art is just like this. The reason why innovation is not easy is that it must be "inside the gully camp", rather than mechanically describe the real thing, but to the heart to connect things, borrow things to write the heart. Mr. Fu lei once said about the painting creation: "browse the treasure of the universe, the vitality of the poor world, satiated visit see, meditation and reverie, the poor years, in the chest with an air, nature for myself; It is to learn from nature, not only for the sake of technology, but also for the cultivation of personality. And then it doesn't ask for spirit and spirit comes from, and it doesn't ask for law and law in it." (11) this passage profoundly points out the essence of the inner process of artistic works from representation to expression, while Mr. Su has practiced each stage of the creative process with his lifetime artistic activities. Grapes have been in his heart since childhood. "When I was a child, a vine was planted outside my house. From spring to autumn, it germinated, blossomed, set and ripened. Its growth posture and clusters of pale yellow or Burgundy grapes were imprinted on my mind." (12) grapes are popular because of their sweet and beautiful taste, and in the countryside in the north of jiangsu province, there are many children and many blessings, so Mr. Su loves this fruit. There are two methods of traditional grape painting, meticulous brushwork and freehand brushwork. The fruits are often painted with meticulous brushwork. Meticulous brushwork is to outline colors and no bones, so the grape lacks transparent texture and looks rigid. And freehand brushwork is reflected in the cane son on, USES the calligraphy brushwork, as writes the seal character, the line script, the cursive script, pursues the brushwork strength freely in the swing. Xu wei, zhang shuqi grape, the focus on the display of vine leaves and natural and unrestrained, or to reveal the personal character of the tuotuo, pay less attention to the fruits. Mr So focused on precisely what his predecessors had overlooked, suggesting that the clusters of grapes should be plump and shiny, with a light purple or dark ink. Mr. Su has created a unique grape map, which is famous both at home and abroad, with "teacher's creation" as the starting point, "teacher's tradition" as the cornerstone and "teacher's heart" as the ultimate goal. According to his remaining sketches, in the summer of 1963 and 1965, Mr. Su painted pictures of vines and plates of grapes, entitled "writing about Mr. Li jike's backyard grapes." He had almost walked through the orchards in the suburbs of chongqing, and the grapes in the garden of the western pision had been vividly depicted under his pen. He also had a deep relationship with a fruit farmer named li at the foot of jinyun mountain. For years, Mr. So tried to keep a close eye on the grapes wherever he went. He went on a business trip to Beijing and spent several times sketching in the vineyards in the suburbs of Beijing. In 1986, Mr. Su visited Japan twice, he saw the Japanese grape grains full, beautiful bunches, ready to take two bunches back home to sketch, to the customs just know, the fruit is not allowed to pass without permission, Mr. Su is very sorry. But when the customs officer knew that he was the famous "su grape", he made an exception and let Mr. Su get his wish. To after the painting process for many years, xu wei, fostered numerous eminent people like wu changshuo, qi baishi, Wang Yachen and Mr Zhang Shuqi grapes, Mr. Su are studied carefully, he rejects traditional grape "fill in" drawing, using ink and write in the performance of the cotton net cover paper, USES the writing "circle", finish the shape of a grape, with compact two pen using the inky weak left between thick and highlights, draw with light and water full of grapes, and the grapes of a ball ball rich stereo feeling of the grape bunches, the dimensional feeling of performance branches grapes. In the book su baozhen's painting of colored ink grapes published by sichuan people's fine arts publishing house in October, 1989, there was a detailed explanation of the grape leaf, vine painting method, ink grape and color grape painting procedure. Mr Su is not limited to the use of ink painting grapes, but also the use of blue, eosin, rouge, garnet mix, painted purple grapes and green grapes, and purple, ink, green three colors painted different colors of grape bunches, with baskets, plates or colorful flowers, the performance of different circumstances under the grape. Mr. Su's treatment of grapevine leaves and vines, with the use of calligraphy, shows its vigorous and vigorous and fresh. Since the end of 1970s, a series of works with exquisite composition, beautiful colors, round jade and elegant elegance have been published one after another. These paintings are full of high-spirited sense of The Times, reflecting the vitality of the new life and the indomitable vitality of cotton. People to express the great recognition of his creation of grape paintings, dubbed "su grape". The grapes in Mr Su's works are used against the meaning of the ancients "to toss and toss at leisure". His works are delicate and free and easy in one, which makes people feel like the grapes of a good harvest, but in fact, where is the grape. Mr Su said: "once barren mountains, today into the orchard, we should use the brush to sing the people's happy life, singing the joy of agricultural harvest to give people with fresh and happy feelings." (13) this is in line with Mr. Su's consistent artistic ideas. Since the reform and opening up, Mr. Su's grapes have not only been well known to Chinese people, but also entered museums and galleries in Asia, Europe, the United States and other continents. Museum curator of fukuoka, the competent department of cultural affairs in a Taiwan China art exhibition held in foreign exchange exhibition group see Mr Su Baozhen grapes, amazed: "in the light of the oil painting to express the grapes feeling and simple sense is very easy, but with such a simple color ink Mr. Su finished the grape is behaved so sophisticated, wonderful artical excelling nature, really admire!" After decades of ups and downs, depicting the flowers, birds, vegetables and fruits of most of the life, Mr. Su can be said to do the painter's duty, shu painting association master Mr. Feng jianwu to Mr. Su comments: "inkstone edge odd hui, the pearl at the end of the pen, art world, professor old su. It pictographically sums up Mr. Su's aged and vigorous manner. At this time, the people have died, only its color ink spirit will never stay in the world. Look from the picture smack of oil painting, but the difference is very big, again Su Baozhen best grapes is painting, he painted grapes lets a person lick one's chaps, ancient often see beauty to eat grapes, the grapes of the high levels in appearance, it is the beauty of all in the fruit, also has a lot of ancient paintings grapes to newlyweds, wish their children more blessed, collect will collect the representative work of painter peak, and the painter it is best to have their own unique personality, have their own artistic symbol, like painting shrimp will think of qi baishi, Su Baozhen is painting masters of grapes.